BUSY IN POST
We are busy with the editing of the film, right this second as a matter of fact. It's starting to shape up. We have already shown it to our friends at Revelations Entertainment from which we pulled great notes. We have spent the last few days laying those in and we are preparing for a screening tomorrow with our buddy Brad Silberling, director of 'City of Angels' and 'Limony Snicket.' Brad will be only the third person other than us to see the film. His notes will be critical to helping us bring the film to a version that we want you to see. Just yesterday we received a song from John Waite that will go into the middle of the film. My wife Lynda, who hates these kind of films, watched only the very opening 30 seconds, and I swear to God she almost threw up, to which Chuck replied, "Good." We are very pleased at this point and we are very close to locking the edit and beginning the process of showing it to distributors who we feel will be interested in this sick type of shit. My best to you all and Chuck and I can't wait to sit down with you and show you what we have spent the last two years of our lives doing. We'll talk soon.
-- Mark Thompson
Tuesday, September 18, 2007
POST-PRODUCTION CONTINUES
The post-production of "Two:Thirteen" is going great. We are on our 4th revision of the film and should be locked very soon. The private screenings we have had for our industry friends has been extremely encouraging. You never know what caliber of film you have until you start editing, and we feel we have a very strong film that gives this genre’s fans a film they will look forward to.
-- Charles Adelman, Director/Producer
The post-production of "Two:Thirteen" is going great. We are on our 4th revision of the film and should be locked very soon. The private screenings we have had for our industry friends has been extremely encouraging. You never know what caliber of film you have until you start editing, and we feel we have a very strong film that gives this genre’s fans a film they will look forward to.
-- Charles Adelman, Director/Producer
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